Dear MAPP community, Thanks to those who came to the artist talk on Wednesday, and for your interesting questions. As promised here are some links to further reading / resources: I enjoyed sharing my work with you all today. As promised here are the further resources: Seeing Beyond the Visible: A Choreography of Breath and Touch: A Reflection on the making of Thermal Duets by Angela Woodhouse (Middlesex University) and Caroline Broadhead (Central Saint Martins, University of the Arts London) Latest writing - can be found here: https://royalholloway.ac.uk/ research-and-teaching/ departments-and-schools/drama- theatre-and-dance/studying- here/postgraduate-research/ platform-journal/current- issue/ www.angelawoodhouse.co.uk • Angela Woodhouse on Vimeo https:// vimeo.com/user9312721 Chaper on the work Between in • Carol Brown and Alys Longley (Ed) 2018 Undisciplining Dance in Nine Movements and Seven Stumbles Cambridge University Press • Woodhouse a
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Dear MAPP Community I come to my blog a little late than some so apologies for that. However, I have very much enjoyed the discussions so far and how we are all learning from each other. As a dance artist whose preoccupation is how to communicate through the act of making I am less at home with this world of words - how can we manipulate their limitations to express what the body can find in endless possibilities- and yet the nettle must be grasped. I sympathise with any of you who might feel the precariousness of this task. So we can find solise in the writings of others. I mentioned in the discussion on Sunday Anthropologist Tim Ingold in his book 'Making' puts it thus: 'Making..is a process of correspondences not the imposition of preconceived form on raw material substance, but the drawing out or bringing forth of potentials immanent in a world of becoming. In the phenomenal world, every material is such a becoming, one path or trajectory through a maze of trajectorie